I’ve spent my life obsessed with the contrast between Hollywood’s glitz and its gritty underbelly. I see it as a microcosm of America itself: we’re always selling an image of what we are, but that image is secured with blood and plunder.… more
I’ve spent my life obsessed with the contrast between Hollywood’s glitz and its gritty underbelly. I see it as a microcosm of America itself: we’re always selling an image of what we are, but that image is secured with blood and plunder.… more
I was that weirdo whose first film crush was on Robert De Niro in MIDNIGHT RUN around the same time that everyone else my age were all about the guys from BEVERLY HILLS 90210. Not too many kids in 4th or 5th grade got excited to ID character actors like Willem Dafoe, Forest Whitaker, & Joe Mantegna in movies but I did.… more
At the end of the day, our struggles define us as much as anything else. I think the people who are most content are the people who have struggled and overcome the most. There’s more value in things that don’t come easy.… more
I realized that language can be more than the vehicle for a story; it can be the lens through which the reader sees the world. For me, the cadence of the language came to mirror the setting of Euphoria County—with its mysterious flora, its snaking roads, and its trapped secrets.… more
The trauma of war can ripple across generations and bleed through borders. You can arrive in the United States or come back home to the United States, but you’ve left a piece of your sanity behind.… more
I’ve always been drawn to people who were a little banged up, a little wobbly on their feet. I think, most likely, because I’ve always felt that way. I’ve always been balancing on the edge of trying and giving up. Keeping my shit together or destructing.… more
I wanted to tell a story set in that world that would also be a pretty accurate description of that world. People aren’t cliches. No one perfectly fits into a stereotype, even when they commit their whole life to being a stereotype.… more
I try to let my characters run around, elude being massacred, and hope that some lyricism falls into a line once in a while. … more
I always start with character and place. I put the characters in desperate situations, usually in my part of southern Brooklyn, and see what develops from there. There’s drama just in watching lives unfold. The natural drama of being alive. Throw some secrets and lies and betrayals into the mix and shit gets amped up.… more
I wanted to write a BIG book. I thought of all the novels I loved and kept coming back to two: Shoeless Joe, by WP Kinsella, and The Natural, by Bernard Malamud. I wanted to write a novel in their spirit. Both use rich language to tell bigger-than-life tales with a dash of magic thrown in like a spice. Both are also baseball books, and my mantra for writing Yesteryear became “Swing For The Fences.” This meant that nothing was off limits. No brush stroke could be too broad. No joke was taboo. No character could be too fantastical. I gave myself total creative freedom. Just swing away and see what happens.… more