I always say, “I don’t do action. I do violence.” I want the violence to hit. And the way I do that is I focus on making it as small as possible. To me, a machine gun isn’t as dramatic as a six-shooter, and a six-shooter isn’t as dramatic as a baseball bat. The more you can make it about one body trying to affect another body, change you, break you, really that’s the way to head, because we’ve all felt pain.… more
CATEGORY ARCHIVES: THE BULL INTERVIEW
Curtis Ippolito
BULL Interview by Frank ReardonI didn’t set out to shock anyone with the sexual abuse; but I also knew it was my job to be honest there, report on the atrocities or else I don’t think Marcus’ motives as an adult would have rung true.… more
William Taylor Jr.
BULL Interview by Frank ReardonI’d look out my window at 2 a.m. and there’d be some guy just sitting in his car and crying, and a few feet away there were some homeless folk whacked out of their minds on something, fucking on the sidewalk, all the tech bros spilling out of the bars, roving around in howling packs.… more
David Tromblay
BULL Interview by drevlowI never concern myself with plot. I create characters, give them something to do, and put shit in the way. At the keyboard, I’m both the Lord and Lucifer, and my characters are all Job.… more
Nick Kolakowski
BULL Interview by Frank ReardonI’ve spent my life obsessed with the contrast between Hollywood’s glitz and its gritty underbelly. I see it as a microcosm of America itself: we’re always selling an image of what we are, but that image is secured with blood and plunder.… more
JEN JOHANS
BULL Interview by Frank ReardonI was that weirdo whose first film crush was on Robert De Niro in MIDNIGHT RUN around the same time that everyone else my age were all about the guys from BEVERLY HILLS 90210. Not too many kids in 4th or 5th grade got excited to ID character actors like Willem Dafoe, Forest Whitaker, & Joe Mantegna in movies but I did.… more
JONATHAN EVISON
BULL Interview by Frank ReardonAt the end of the day, our struggles define us as much as anything else. I think the people who are most content are the people who have struggled and overcome the most. There’s more value in things that don’t come easy.… more
Henry Wise
BULL Interview by Frank ReardonI realized that language can be more than the vehicle for a story; it can be the lens through which the reader sees the world. For me, the cadence of the language came to mirror the setting of Euphoria County—with its mysterious flora, its snaking roads, and its trapped secrets.… more
K.T. NGUYEN
BULL Interview by Frank ReardonThe trauma of war can ripple across generations and bleed through borders. You can arrive in the United States or come back home to the United States, but you’ve left a piece of your sanity behind.… more
Willy Vlautin
BULL InterviewI’ve always been drawn to people who were a little banged up, a little wobbly on their feet. I think, most likely, because I’ve always felt that way. I’ve always been balancing on the edge of trying and giving up. Keeping my shit together or destructing.… more
Jake Hinkson
BULL Interview by Frank ReardonI wanted to tell a story set in that world that would also be a pretty accurate description of that world. People aren’t cliches. No one perfectly fits into a stereotype, even when they commit their whole life to being a stereotype.… more
Francois Bereaud
BULL InterviewI try to let my characters run around, elude being massacred, and hope that some lyricism falls into a line once in a while. … more
William Boyle
BULL Interview by Frank ReardonI always start with character and place. I put the characters in desperate situations, usually in my part of southern Brooklyn, and see what develops from there. There’s drama just in watching lives unfold. The natural drama of being alive. Throw some secrets and lies and betrayals into the mix and shit gets amped up.… more
STEPHEN EOANNOU
BULL Interview by drevlowI wanted to write a BIG book. I thought of all the novels I loved and kept coming back to two: Shoeless Joe, by WP Kinsella, and The Natural, by Bernard Malamud. I wanted to write a novel in their spirit. Both use rich language to tell bigger-than-life tales with a dash of magic thrown in like a spice. Both are also baseball books, and my mantra for writing Yesteryear became “Swing For The Fences.” This meant that nothing was off limits. No brush stroke could be too broad. No joke was taboo. No character could be too fantastical. I gave myself total creative freedom. Just swing away and see what happens.… more
Wilson Koewing
BULL Interview by The DrevlowI didn’t sit down with the intention of writing a dark book. My goal with this book was pretty simple, stark realism. These are the people that I know and that I meet, and these are the problems that I see or that I hear about or that I’ve had or that I’ve witnessed. And while yeah, it’s fucking dark, I feel like life is pretty dark.… more
CATEGORY ARCHIVES: BULLSHOT INTERVIEW
