Hands

Hands

His hand is quintessentially, unashamedly male. Large and barren of moisture. Fingernails so short they betray a disfigurement, the fingertips shoving them out of the way. No, he merely clips them short. With his teeth. He is a victim of skin cancer, but only on the back of his hands. Years of mowing without gloves or lotion. The skin is permanently chapped, a layer of dry, red sandiness, like the soles of his feet. He points with his middle finger. His high school ring, big as a bracelet.

 

Her swollen red hands are at work at the tapestry, diligently narrating string by string the wife of Lord Matsuharu. Wood spindles of bold-colored yarn rest beside her like the fringes of a palm, a watcher guiding her. She sings the song her grandmother sang, no words—just the high tune. Her sweater is the thickness and softness of a child’s blanket, and baby blue. Her perfect fingers guide the needle. I watched her paint her nails once, like each one was a person whose beauty she curated. She pursed her lips and admired them all.

ARTICLEend

About the Author

Caleb Coy is a freelance writer with a Masters in English from Virginia Tech. He lives with his family in southwest Virginia. His work has appeared in McSweeney's Internet Tendency, Slackjaw, North Dakota Quarterly, Potomac Review, Coachella Review, Hippocampus, and elsewhere. In 2015 he pulbished his debut novel, An Authentic Derivative. He is currently at work on a memoir.

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Photo by McKenna Phillips on Unsplash