Two Essays

Two Essays
r.e.m.

I woke up sobbing because God, in the form of my girlfriend, helped rest the pistol in my mouth and the last thing I heard was his laugh echoed over hers when she helped pull the trigger.

 

do no harm

Our medical school’s climate change lecture talked about how much disposable materials are used during surgical procedures. Months prior was the first time I fully learned about what goes into a genioplasty. That climate change lecture focused on how much waste can be generated from a breast cancer tumor removal surgery, vaginoplasties and other gender-affirming care surgeries. My first ever public poetry reading was with trans poets just weeks prior. I thought about the woman at the parking permit station who held my hand and thanked me for doing cancer research, and that she’s going to stop being scared that her remission period might be coming to an end once she confirms what’s been causing her migraines that past few months. I scrolled through Instagram and saw another major writing grant was stripped from presses I follow because they believe in keeping trans voices published. I thought about my ex-best friend, wondering about how her wife was doing and if she finally finished all her laser appointments. I raised my hand to ask a question, to make sure we weren’t saying that to save the earth, we need to restrict the amount of genioplasties that might generate forty nine blood-soaked gloves and fifteen blue shoe covers that would end up in a landfill; that suicide by gender dysphoria was the price we must pay to have enough clean water for medical trainees to use ChatGPT or Open evidence on what antibiotic they need to be prescribing their patient.

ARTICLEend

About the Author

Naa Asheley Ashitey is a Chicago-born writer and MD–PhD candidate at the University of Wisconsin–Madison. A first-generation, low-income Ghanaian-American and University of Chicago alumna, her writing examines how policy, media, and academia reproduce structural violence—and what it means to resist with truth. Her creative work appears or is forthcoming in Hobart, The Brussels Review, Michigan City Review of Books, AUTOCORRECT, Tyger Quarterly,  and editorials for The Xylom, MedPage Today and KevinMD. She has been nominated for multiple awards, including Best Small Fiction. More at NaaAshitey.com. You can find her on Twitter and Instagram: @foreverasheley and on Bluesky @foreverasheley.bsky.social.

Photo by Kevin Kandlbinder on Unsplash